Compare/Contrast across Disciplines
Students will identify ways in which the concepts from other content areas, such as visual arts, language arts, mathematics, science, and social studies, are related to music. Students will then produce a written comparison/contrast response on a chart provided in the Student Booklet.
Prior to the assessment, the teacher should lead a discussion regarding the definitions of the concepts of “compare” and “contrast.” The teacher should ask the students for examples of things that are the same and things that are different. The teacher should model comparing and contrasting using example concepts from another content area compared with music. This modeling should take place several times prior to the assessment so students are aware of the use of comparison/contrast charts.
Students should have a working vocabulary of musical concepts, including rhythm, pitch, melody, harmony, dynamics, texture, form, variation, and interpretation. These words should be placed on a word wall or on the board.
This Teacher Booklet provides two examples that might be used in this assessment:
- 1. Compare the rhythm and timing of Arthur Honegger’s Pacific 231 to the rhythmic prose of
- Jonathan Robin’s poem The Whirling Wheels of Change
- 2. Compare John Coltrane’s jazz piece Impressions to Wassily Kandinsky’s painting Improvisation
Consider any specific technology that may be needed for using either example.
This item has been voluntarily field-tested by Michigan teachers with a non-representative sample of students.
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