Blogs & Online Sources: Tammi Browning
Tammi Browning: The Arts Prepare Students to Reach Their Potential
Reading mission statements of school districts all over America, I find a universal educational purpose they seek to attain: To equip students with the skills necessary to reach their maximum potential in becoming self-sufficient, contributing...
Reading mission statements of school districts all over America, I find a universal educational purpose they seek to attain: To equip students with the skills necessary to reach their maximum potential in becoming self-sufficient, contributing members of a global society.
Depending upon the characteristics of the community in which the school district lies, the experiences provided to students to accomplish these goals can differ greatly. Such experiences must be organized effectively to match the social characteristics within the community it serves. Coupled with this, the influence of an educator’s own learning experiences can sometimes influence their view of diversity in the classroom. The advantages of such diversity can inadvertently be overlooked when creating a meaningful curriculum.
Educators must be cognizant of these factors in order to utilize the resources they have in a way that will help prepare students for a world where opportunities for success require the ability to compete and cooperate on a global scale.
To combat these challenges, educational leaders must provide an environment where teachers work as a collaborative professional learning community; where they are allowed to think outside of the box to create valuable connections with the world that enrich the lives of their students.
Grant Wiggins and Jay McTighe in their book entitled, Schooling by Design, describe transfer of learning as the practice of “…learning the (self) discipline that permits prior learning to be effectively activated and used in new meaningful situations” (p.48). Heidi Hayes Jacobs (2010), in her book entitled Curriculum 21, has compiled articles written by experts in the field of education. In chapter 13, Arthur L. Costa and Bena Kallick describe learning processes they refer to as “Habits of Mind”. Habits of Mind are “…dispositions or attitudes that reflect the necessary skillful behaviors that students will need to practice as they become more thoughtful in their learning and in their lives” (p.212). They list 16 vital habits they have identified to be the most important to possess to be successful in school, work, and life. The majority of the vital habits involve reflection. Therefore, when students understand that prior knowledge obtained can be used to solve more complex problems and helps in the analysis of new situations encountered throughout their life; they have developed an understanding of transfer of learning and created habits of mind.
I believe that transfer of learning and key habits of mind are taught effectively through classes such as auto shop, wood shop, the arts, and home economics. Transfer of knowledge is the base of these hands-on, kinesthetic classes. As art teachers, we naturally promote transfer of learning and habits of mind through supervising student work on drama production sets, marching band props, homecoming activities, and painting murals in the building. We are conscious of cross-curricular, discipline-based art education that involves communication with other teachers and forming units consisting of projects that involve concepts being taught in their classrooms.
We provide students with real-life challenges, to which they must analyze and solve problems using mathematical reasoning and writing skills by communicating and working together in group collaboration. The arts, by nature, provide rich authentic experiences. Through creating a curriculum rich with exciting real-life experiences, we contribute to helping to solve today’s challenges.
Are you guiding reflection in your arts discipline? Search the MAEIA assessment items with key words. Or start here:
This post was originally published in the MAEA spring newsletter and appears here with permission by the author.
Wiggins, Grant and McTighe, Jay (2007). Schooling by Design: Mission, Action, and Achievement. Alexandria, Virginia: Association for Supervision and Curriculum Development.
Hayes Jacobs, Heidi (2010). Curriculum 21: Essential Education for a Changing World. Alexandria, Virginia: Association for Supervision and Curriculum Development.
Introducing the MAEIA Leadership Fellows
The MAEIA project, with generous support from the Michigan Council on Arts and Cultural Affairs and the Michigan Department of Education, assists school districts, buildings, educators,...
The MAEIA project, with generous support from the Michigan Council on Arts and Cultural Affairs and the Michigan Department of Education, assists school districts, buildings, educators, and the public in implementing a high quality arts education program in dance, music, theatre, and visual arts for all K-12 students.
We would like to introduce the MAEIA Leadership Fellows, a cadre of arts educators prepared with general and specialized professional development presentations and personalized coaching strategies to elevate the arts education programs offered in Michigan schools and beyond using the MAEIA resources.
The MAEIA Leadership Fellows work collaboratively and individually to offer presentations in virtual, face-to-face, general and specialized formats.
We proudly present the following educators with a sampling of their presentation and consulting topics:
Elizabeth Andrews: MAEIA Overview for Dance and Theatre, Moving to Learn: Kinesthetic Intelligence in the Classroom, Engaging with Community Organizations and Teaching Artists, Artful Thinking in All Classrooms, Philanthropy In and Through the Arts
Rebecca Arndt: MAEIA Overview for Music, Using PBIS in a Music Setting, Music Curriculum
Hedy Blatt: Public Relations for Arts Educators, Organizational and Classroom Management Strategies for Arts Educators, Arts Events Planning, Arts Advocacy Strategies
Tammi Browning: MAEIA Overview for Visual Arts, Demonstrating Educator Effectiveness with MAEIA Resources, How MAEIA Tools can be used by Community Partners and Teaching Artists
Cynthia Clingman: MAEIA Overview, Literacy, Demonstrating Educator Effectiveness
Cathy DePentu: MAEIA Overview for Music, Educator Effectiveness using MAEIA Resources
Cecilia Gollan: MAEIA Overview for Visual Arts, Using SLOs, MAEIA Resrouces, Student Portfolio and Electronic Data Systems to Demonstrate Educator Effectiveness
Debra Henning: MAEIA Overview for Interdisciplinary Studies, STEAM, Collaborating with Community Partners
Carrie Jeruzal: Demonstrating Educator Effectiveness with SLO writing and Bundled Assessments, Feminist Art-Based Visual Arts Curriculum, East Asian Art-Based Visual Arts Curriculum, Empty Bowls Community Outreach Programming, Fiber Arts Education for Middle School Students
James Mobley: Demonstrating Growth of Students and Educators in Music, Getting the Most Jazz Out of your Rock Drummer, Maximizing Technology in your Music Classroom Using One Device
Holly Olszewski: MAEIA Overview for Music, Music Curriculum
Beth Post: MAEIA Overview in Dance, K-12 Dance Education, K-12 Arts Integration, Collaborating with Community Partners and Teaching Artists
Cindy Swan-Eagan: Music Education, MAEIA Resources
Margaret Theile: MAEIA Program Review Tool and Resources, Music Development and Cognition, Rhythm Instruction for Assisting Elementary At-Risk Readers, Demonstrating Educator Effectiveness using the MAEIA Resources, Public Policy and Music Education
Soon, you’ll be able to read more about each of the Fellows as well as their direct contact information on a dedicated Fellows page on the MAEIA website. For now, please contact us to schedule professional development presentations and more at the Contact Us link at the top of the page.
Thanks, again, to the Michigan Council for Arts and Cultural Affairs for providing the support needed to develop the MAEIA Leadership Fellows program.